The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
A small tree and a small drypoint sketch, a tree I visited many times on the hills outside Ballycastle. It's nice to make friends with a small tree. Warm thanks to Margo Dolan, Peter Maxwell, Una Forde and Chrissie Tighe who we met during our residency at the Ballinglen Arts Foundation in 2001 / 2002, and the people in Ballycastle for the best time ever.
Inscriptioncentre right: Lars Nyberg
lower right: Hillside, Ballycastle
