The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
A majestic tree alone in a large field, south of the village of Ballycastle. Torn by time and harsh storms. Somewhere between Crossmolina and Ballycastle. I've been looking for that tree recently but haven't found it. Sometimes trees can become friends right away – ‘finally we have met’.
Inscriptioncentre right: Lars Nyberg
lower right: In the Field, R. 315 South of Ballycastle
