The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
My wife Lina and I lived for a long time in an old house at 14 / 15 Blessington Street.
On our way downtown we often said good morning to this tree just outside
the gates of the Garden of Remembrance. I had been passing by the tree for years
when one day I suddenly I noticed it. I started making drawings of it. I made drawings over many weeks and the day after I started working on the actual drypoint the tree was cut down. I published this print on Instagram a year ago and Dublin City Council Parks liked the photo…
