The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
The first building in Dublin that I sketched. On a late November afternoon, a barman gently lifted a drunk man out onto the sidewalk. The man lifted his fist and cursed life. I liked that square building, the old bar, with empty rooms upstairs filled with memories. When looking at the same building from Parnell Street I could see a big black window.
Inscriptioncentre left: HC
centre right: Lars Nyberg
lower right: Lower Gardiner street/ A bar same building on Parnell street
