The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
During long walks along Hanover Quay and around the Grand Canal Dock, I saw abandoned boats and a raft that must have been used as a platform for working on wharves or boats. A raft can be the symbol of adventure and of the future. I drew the raft and then drew a mast on it. If the Westmoreland Lock or Buckingham Lock were opened, the raft could sail out onto the Irish Sea. I printed the first proof from this plate in 2000.
Inscriptioncentre left: 54/100
centre right: Lars Nyberg
