Although he was largely self-taught, Van Gogh keenly followed Academic methods of artistic practice by emphasising drawing before colour. From 1881 he often worked with a perspective frame. This stringed, box-like structure divided a viewed space into sections so that it could be transferred onto paper or canvas. In this small painting a grey horizon line divides the composition, so that the sky and cityscape are presented in almost equal proportions. Van Gogh held a lifelong fascination with skies and cloud formations, something that is evident in his art and in the vivid observations that he made in his letters.
March 2016
ProvenanceL. C. Enthoven, Voorburg; Fred. Muller & Cie., Amsterdam, 18th May 1920, lot 234; purchased by Kunsthandlung W. Scherjon, Utrecht; Galerie d'Art Huinck, Utrecht; purchased, Private Collection, 1926 and by descent; purchased, Sotheby's, London, 6 February 2007, Impressionist and Modern Art Day Sale, lot 322Exhibition HistoryVincent van Gogh Between Earth and Heaven: The Landscapes, Kunstmuseum Basel, Basel, 2009
Shades of Grey: Painting without Colour, National Gallery of Ireland, Dublin, 22 June - 29 September 2013
Von Poussin bis Monet. Die Farben Frankreichs, The Arp Museum Bahnhof Rolandseck, Remagen, 22 March - 6 September 2015; Bucerius Kunst Forum, Hamburg, 10 October 2015 - 17 January 2016
The Highlights of Vincent van Gogh, The Ueno Royal Museum, Kobe, 11 October 2019 - 13 January 2020; Hyogo Prefectural Museum of Art, Kobe, 25 January 2020 – 10 June 2020
Label TextVan Gogh moved to Paris in the spring of 1886. He painted this panoramic view of the city from Montmartre shortly afterwards. Throughout his life, Van Gogh was fascinated with skies and cloud formations. Here, the low horizon gives prominence to an expanse of grey sky. This small painting with its subdued colouring reveals how deeply connected Van Gogh was to the Naturalist tradition when he first arrived in France. Just a few months after painting it, he met Paul Gauguin and Emile Bernard, and his work began to assume the heightened colour and vigorous impasto that it is renowned for today.
