March 2016
Inscriptionlower left: Anne Horton. 1766
ProvenanceDescended in the family of the first husband of the sitter, Christopher Horton, to Lady Wilmot Horton, Catton Hall; purchased by Agnew, 1912; bequeathed, Sir Hugh Lane, 1918 Exhibition HistoryNational Portrait Exhibition, London, 1867
Exhibition of pictures by Old Masters bequeathed and given to the National Gallery of Ireland by the late Sir Hugh Lane, National Gallery of Ireland, Dublin, 1918
Thomas Gainsborough: Bicentenary Exhibition, National Gallery of Ireland, Dublin, 1927
Exhibition of British Art, Royal Academy of Arts, London, 1934
Manchester, 1934
18th Century, Royal Academy Winter Exhibition, Royal Academy of Arts, London, 1954-1955
Centenary Exhibition, National Gallery of Ireland, Dublin, October - December 1964
Thomas Gainsborough, Tate Gallery, London, 8 October 1980 - 4 January 1981
Thomas Gainsborough, Palazzo dei Diamanti, Ferrara, 7 June - 30 August 1998
Label TextIn this sumptuous portrait, Gainsborough displays his skill in capturing the transparent qualities of fashionable dress through delicate brushwork. Born Anne Luttrell at Luttrellstown Castle, Co. Dublin, the sitter was a young widow when Gainsborough painted her likeness. Horace Walpole memorably described her as having ‘the most amorous eyes in the world and eyelashes a yard long. Coquette beyond measure and artful as Cleopatra and complete mistress of all her passions and projects’. In 1771 she caused a storm by marrying Henry Frederick, Duke of Cumberland, the king’s younger brother.
