Roberts was an accomplished figure painter, but it was for his topographical views that he became justifiably renowned. His depiction of house and their estates is highly realistic.
(National Gallery of Ireland: Essential Guide, 2008)
ProvenanceCommissioned by Agmondisham Vesey of Lucan House; by descent to Captain R. St John Colthurst; Bennet and son, Dublin, 29 September 1925, Lucan House sale, lot 115; purchased by Private Collector; purchased, Private Collection, 1983 Exhibition HistoryProbably the picture exhibited at the Society of Artists in Ireland, 1772
Acquisitions 1982-1983, National Gallery of Ireland, Dublin, 1984
James Arthur O'Connor, National Gallery of Ireland, Dublin, November - December 1985; The Ulster Museum, Belfast, February - March 1986; Crawford Municipal Art Gallery, Cork, March - April 1986
Thomas Roberts, 1748-1777, National Gallery of Ireland, Dublin, 28 March - 28 June 2009
Label TextRoberts’s views of the demesne at Lucan exemplify on a modest scale some of his technical strengths, in particular his virtuoso treatment of sky, foliage and water, and his figure drawing. They also allowed him to indulge his interest in waterways and the bridges that spanned them. The bridge visible in the view of the house, built around 1771, was destroyed by floods just a few years later. Roberts also possessed unusual skill in the depiction of human figures in action. Here, quarrymen strain as they lever a block from a rock face.
