The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
The buildings depicted here (and in the print titled ‘Nr. 102’), were located close to each other. They had an abstract simplicity in architecture. They were near Smithfield, perhaps on North King Street or at the end of Dorset Street. I am not sure any more. The last few years I've been looking for them in vain. They’ve probably been torn down.
Inscriptioncentre right: Lars Nyberg
lower right: the Broken Window close to Smithfield
