The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
The big dark window gave me the feeling that the building was looking at me. It reminded me of some of Whistler’s architectural prints. The same building is depicted in the print titled ‘Gardiner Street Lower’.
Inscriptioncentre right: Lars Nyberg
lower right: parnell str. close to Gardiner street
