The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
This print is one of a series of images that are not direct representations or ‘portraits’ of a place, but came out of reminiscences of walks along quays, locks and canals that I drew at home in Blessington Street. Remembering the rubbish and barrels floating around.
Inscriptioncentre left: 13/50
centre right: Lars Nyberg
