The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
One of the routes I took to Graphic Studio’s workshop involved a walk along North Wall Quay up to the toll bridge, looking east towards Dublin Bay and the Irish Sea. How many have looked out from here over the sea to an uncertain future? I made a lot of sketches of Dublin Bay from this viewpoint, often in strong wind. After the toll bridge I would walk via Irishtown and the Grand Canal, passing the locks, arriving at Graphic Studio in Green Street East. The first proofs from this plate were made in 2000 and in 2010 I made this final print. The copperplate later oxidized and was destroyed.
Inscriptioncentre right: Lars Nyberg
lower left: 21/ 9 - 00
lower right: Dublin Bay
