The date noted is the year the plate was finished, but often he began work on a plate many years earlier. He explained his method of working: ‘I made a lot of sketches and took a lot of photos so I could remember details. I never draw or scratch after photos, the idea, the ‘feeling’, will die in a way then. For me, making art involves waiting, I look upon a proof or a drawing, thinking and waiting for the idea, the feeling, to ‘develop’. Taking time for an idea to mature. I always print my copperplates myself and I use a simple steel needle for the drypoint works.’ The story behind the print, in the artist’s own words, was written in February 2024.
After passing by the bar Michael Galligan & Son I turned left and walked east on North Wall
Quay. I often stopped in front of this ‘abstract’ building. Unusual white with blue doors.
I was fascinated by the abstraction and the brightness of the white wall in this rough area. Beside the building was the remains of a petrol station. Maybe these toilets once belonged to the petrol station? I made a lot of drawings, usually on ‘Silent Sunday’s, while on my way to Graphic Studio in Green Street East. I made one copperplate in 1994 and this, the second plate, in 2000.
Inscriptioncentre right: Lars Nyberg
lower right: North Wall Quay/ close to Guild Street
verso, upper left: 12. NORTH WALL QUAY, 1,500
