As early as 1916, a large-format painting with a comparable motif was created, but it was never completed. This large painting is now in the Staatsgalerie Stuttgart (Inv.-Nr. 2673). Immediately after his release from military service, Beckmann began this composition in 1916, which was intended to express the 'eerie cry of pain of poor deceived humanity'. In contrast to the portrait version of 1909, however, it now discards all conventions and transports the scene to a bombed and buried city. It is no longer the redeemed who float reverently into a light-flooded sky, but battered and mutilated creatures who crawl out of the cellars and perform an apocalyptic dance of death on the rubble heaps." (Conzen, Ina, Staatsgalerie Stuttgart – Die Sammlung. Meisterwerke vom 14. bis zum 21. Jahrhundert, München / Stuttgart 2008, S. 214, Nr. 149).
ProvenancePrivate Collection, Bavaria (same collector as no. 1) Karl & Faber, Munich, Auction 303, Modern Art (14 July 2021), Lot 720; Purchased, 2021
