It was Alonso Sánchez Coello who first established this typology, during the second half of the 16th century, and his stylish handling of clothes and jewellery was later adopted by the king's painters, Pantoja de la Cruz and Bartolomé Gonzalez.
In this example the woman is wearing an elaborately embroidered olive green dress with inset jewels and pearls. Her pose is identical to a portrait of the Princess Isabel de Borbón by an unknown artist, now in the Museo del Prado, Madrid, but the treatment of this work is less stiff and her flesh tones have a distinct porcelain-like appearance. A few artists' names have been proposed for this beautiful portrait, but none so far has been convincing.
(National Gallery of Ireland: Essential Guide, 2008)
ProvenanceIn the collection of Valentín Carderera y Solano, Madrid, before 1877; Christie's, London, 1899; Mervyn Wingfield, 7th Viscount Powerscourt; Messrs Harris and Sinclair, Dublin; purchased, Messrs Harris and Sinclair, Dublin, 1920 Exhibition HistoryFour Centuries of Spanish Painting, Bowes Museum, Barnard Castle, Durham, 1967
El Greco to Goya, The Taste for Spanish Paintings in Britain and Ireland, The National Gallery, London, 16 September - 29 November 1981
