The episode shown here is a miraculous event which occurred when Galganus, having driven his sword into a rock, started to adore it as a symbol of the Cross, inviting those present to follow him. The original use of the picture is unclear, but one opinion is that it once formed part of a large polyptych, together with a group of panels that are today held in the Museum of San Matteo in Pisa.
Andrea di Bartolo was the son of the painter Bartolo di Fredi, and most certainly was trained by him. His father's influence is evident in the dramatic chiselled ground of the landscape seen here. Later he was for some time inspired by Taddeo di Bartolo, from whom he probably acquired the use of large figures in his compositions.
(National Gallery of Ireland: Essential Guide, 2008)
ProvenanceJameson, Co. Waterford; purchased Mrs. Thomas Jameson, 1942 Exhibition HistoryCentenary Exhibition, National Gallery of Ireland, Dublin, October - December 1964
Label TextGalgano Guidotti was an Italian saint who lived near Siena in the twelfth century. According to legend, the Archangel Michael appeared to Galgano and told him to renounce material things. Galgano, then an arrogant man, replied that to do so would be as impossible as splitting a rock with his sword. He demonstrated by plunging his sword into a rock which miraculously yielded like butter. Awestruck, Galagano devoted himself to a religious life. The sword hilt and grip that projected from the rock resembled a cross, and pilgrims still travel to the chapel at Montesiepi, near Siena, to see it.
