The inclusion of the Borghese Vase behind the family group is a reminder of the Italianate gardens at Stowe, while the boy is a skilful reworking of a young Christ Child presented to a supplicant donor, the type of borrowing found in Reynolds’s noblest portraits. As with other paintings by him, the surface has been affected by the artist’s paint experiments but the brilliant colouring re-emerged after the last cleaning. The picture was acquired by the Countess of Milltown in 1900.
March 2016
Provenance1849, Stowe sale, lot 352 (withdrawn); Agnew's, London, by 1899; Countess of Milltown, ca.1900; Miltown Gift, 1902 Exhibition HistoryCentenary Exhibition, National Gallery of Ireland, Dublin, October - December 1964
Label TextGeorge Grenville, Earl Temple (1753-1813), later 1st Marquess of Buckingham and twice Lord Lieutenant of Ireland, is shown with his son Richard, Lord Cobham (1776-1839), and wife Mary (fl.1775-1813). The unidentified black servant, most likely a slave brought to England, helps support the young boy who is being drawn by his mother. She was an amateur artist who may have had lessons from Reynolds. The inclusion of the Borghese Vase behind the family group alludes to the Italianate gardens at Stowe House, Buckinghamshire, where this picture very likely hung in the family portrait room.
