in 1910. Having spent a month there on that occasion they returned two years later, and regularly over the following seven years. It is likely that this picture was produced from memory, as some of the local residents encountered by Henry were disinclined, on superstitious grounds, to allow themselves to be painted or sketched. In many of his early, figurative paintings, Henry obscures or hides the faces of his characters, casting the figures as representatives of a western type. He also integrates them into the landscapes they inhabit by adopting the same broad, economical technique in describing them that he uses for the setting. Henry gradually distanced himself from subjects of this kind, relinquishing populated views in favour of pure landscapes characterised by bold mountainous terrain and expansive cloudy skies.
March 2016
Paintings of Co. Mayo, Ireland (Synge's Country) by Mr. and Mrs. Paul Henry, Allied Artists' Association, London, till 17 February 1912
Exposition d'Art Irlandais, Musée d'Art Ancien, Brussels, 10 May - 8 June 1930
Works by Paul Henry from the Collection of Mrs. Kathleen Henry, CEMA and Northern Ireland tour, CEMA, November 1956
Paul Henry: Retrospective Exhibition, Ritchie Hendriks Gallery, Dublin; Museum and Art Gallery, Belfast, May - July 1957
Paul Henry 1876-1958: Retrospective Exhibition, Trinity College, Dublin; Ulster Museum, Belfast, October 1973 - January 1974
When Time Began to Rant and Rage: Twentieth Century Figurative Paintings from Ireland, Walker Art Gallery, Liverpool, 16 October 1998 - 10 January 1999; The Berkeley Art Museum, Berkeley, 10 February - 1 May 1999; The Grey Art Gallery, New York, 25 May - 24 July 1999
Lines of Vision. Irish Writers at the National Gallery of Ireland, 8 October 2014 —12 April 2015