Le Brocquy executed a series of Connemara landscapes between 1944 and 1947, using a combination of graphite, coloured pencil, ink, and watercolour. Landscape drawings such as Famine Cottages, Connemara (1944); Emblaghmore, Connemara (1944); Connemara harbour at low tide, Ballyconneely (1944); and Morning Mountain, Connemara (1944), reflect his growing interest in Modernism. The sinuous lines and delicate shading in this detailed drawing recall the Surrealist aesthetic of French artist Yves Tanguy (1900-1955), whose hyper-real landscapes, painted with an exacting level of precision, blended fact with fiction.
Le Brocquy executed a series of Connemara landscapes between 1944 and 1947, using a combination of graphite, coloured pencil, ink, and watercolour. Landscape drawings such as Famine Cottages, Connemara (1944); Emblaghmore, Connemara (1944); Connemara harbour at low tide, Ballyconneely (1944); and Morning Mountain, Connemara (1944), reflect his growing interest in Modernism. The sinuous lines and delicate shading in this detailed drawing recall the Surrealist aesthetic of French artist Yves Tanguy (1900-1955), whose hyper-real landscapes, painted with an exacting level of precision, blended fact with fiction.