Many artists have interpreted this mythical episode, and the visual description offered by Carlo Maratti is one of the most accomplished. He preferred not to represent the more commonly portrayed abduction, but rather the moment just before it, when Europa and her friends are still joyfully playing in the field, unaware of the deceit. The result is an impressive composition of graceful and refined gestures, with attractive detail in the groups of flowers. Remarkably, for one of the largest canvases in the collection, it has no history before being purchased in Rome as part of a group of Italian Baroque canvases.
Many artists have interpreted this mythical episode, and the visual description offered by Carlo Maratti is one of the most accomplished. He preferred not to represent the more commonly portrayed abduction, but rather the moment just before it, when Europa and her friends are still joyfully playing in the field, unaware of the deceit. The result is an impressive composition of graceful and refined gestures, with attractive detail in the groups of flowers. Remarkably, for one of the largest canvases in the collection, it has no history before being purchased in Rome as part of a group of Italian Baroque canvases.